Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, May 11, 2007

vosotros: music for you-all

For the last several months, I have been working closely with Gabe Noel to develop our contribution to the tumultuous world of online music. Initially we set out to start our own record label, however, the more we examined the reality of digital music and the changing face of the industry, it was clear that we needed to take a different approach.

I met Gabe in 7th grade Spanish class in Chicago, where by comes the origin of our name. Vosotros is a Spanish verb conjugation roughly meaning “you-all.” But since it is only used in Spain, the vosotros form was always ignored, which quickly became an ongoing joke between us.

The dynamic of our relationship is as follows: as a multi-instrumentalist and composer, Gabe has an endless supply of musical ideas - it is my job to help synthesize these ideas and make them accessible to you-all. Early on in the project, we had discussed releasing a compilation of Gabe performing across a variety of genres. This idea eventually led us to our current focus: a live monthly showcase (vosotros presents: live@land) and a complimentary podcast (vosotros presents: the lazy susan).

Each month, Gabe forms a new band among friends. They record a song together for the podcast and then perform for the first time at that month’s show in Little Tokyo. Each of these songs are released with a non-commerical, attribution, share-alike Creative Commons license and are available for free download from our website and via iTunes. Additionally, every band that performs at LAND releases a song through the Lazy Susan as accoutrement. Our hard work on this aspect of the project has been rewarding and has served to build a small community of vosotros supporters.

Although we will continue to support the podcast and live@land concert series, we are preparing our first full-length release as a label: Quiet Orchestra. Quiet Orchestra is a 12+ piece electric ensemble. The group came together for the first time in early March, recording a full album over the course of two days. The project will be released digitally later this summer and will include both music and film. As we discussed heavily in class, the biggest challenge will be trying to balance the promotional benefits that Creative Commons provides with the reality that the project is also available for sale. Cory has shown it can work for books - and I intend to make it work for music.

Monday, May 7, 2007

Want to sell your CDs? I'll need your fingerprints.

New pawn shop laws springing up across the United States are threatening to make the process of selling used CDs back to willing record stores significantly more complicated. All to make sure that record stores aren't buying counterfeit CDs - as if this were a serious problem.

In some states, for a seller to make a sale to a record store, the store will be required to take the seller's fingerprints and personal information. In Florida specifically, many record shops are getting out of the used-CD business because they don't want to have to pay the 10,000 dollar bond for the right to interrogate their customers every time they want to sell back a Linkin Park CD.

To give some perspective, in Florida, Utah, Rhode Island and Wisconsin it is more of a pain to sell a used CD than it is to get a driver's license.

This appears to be a growing trend in the United States. Media "producers" control the laws, and because of this we are entering media lock-down. Gotta have every penny, I suppose.

(via ars)

Tuesday, April 24, 2007

Amazon is ALMOST Ready to Launch Music Store (with DRM-Free Content)

Cory already posted about this on Boing Boing before I was even awake, but oh well...

It looks like Amazon is all set to launch their online music store some time next month. Apparently they are planning to do so without DRM protection, so it is most likely that most of their catalog will come from EMI and independent labels. There is also word of a partnership between Amazon and Universal to sell classical music without DRM. Considering the fact that Universal is the #1 record label, if this little experiment works out, good things could be in store for all labels and all genres.

"Bring it on, iTunes" at Ars Technica
"Amazon set to launch online music store" on Times Online
"Why an Amazon DRM-Free Music Store Would Be a Game-Changer" on Medialoper

Sunday, April 1, 2007

EMI and Apple to DRM-Free?

The Wall Street Journal is reporting (subscription required) that today, Apple and EMI will announce plans to go DRM-free with a large portion of EMI's catalog. If this is the case, things could start getting real interesting. So many questions must be raised...let's see what happens. (via The Inquirer)

UPDATE: Holler.

Tuesday, March 27, 2007

"Adverbands" Make Sweet Corporate Music

Perhaps in hopes of spawning a new chapter in the viral-marketing book, perhaps as a good oldfashioned publicity stunt, it seems that besides providing the world with reliable studies on bot-net statistics, and working tirelessly to protect our computers from hackers and such, the folks at Symantec have a new extracurricular activity: the creation and management of an 80's arena rock band. The group, ROckDotRock, was the brainchild of the Night Agency, and is a marketing ploy in which the band will literally sing the praises of Symantec's software.

The AdRant website hails the group as the markers of "a new era of musical advertising." Has anyone else heard of any other adverbands? I'm interested to see how long this era will last...

Sunday, March 25, 2007

Developer Stardock Explains No-DRM Policy

In an article dated March 21st from Stardock's website titled "How Copy Protection Creates Pirates," Stardock Corporation Inc. extolled the negative effects of DRM and explained a current company policy to not use it.

Stardock develops and publishes video games (such as the Galactic Civilizations franchise), as well as a handful of other visual and graphical programs. The company also administrates Totalgaming.net, an online store that sells downloads of games, DRM-free, directly to consumers. The company does not employ DRM anywhere in any of the software that they release.
When Galactic Civilizations II was released with no copy protection whatsoever, some people said that we must not care about piracy. Of course we do. We worked hard on the game and hope/expect people who want it to pay for it. But there are too many times when copy protection and DRM end up hurting legitimate customers.
The company believes that, by developing software that has a high level of quality, consumers will be drawn to pay for it. Of course piracy will still occur, but by creating something that people actually want to buy, sales won't be drastically reduced by it and consumers won't have to deal with the headaches that are often a result of DRM implementations.

They have also chosen not to use DRM in their Stardock Central app (connected with Totalgaming.net to give consumers the ability to download games - like Valve's Steam), a decision they based on the multitude of problems that consumers have with DRM already.
Stardock and TotalGaming.net don't use DRM. Our delivery program, Stardock Central, uses SSD (Secure Software Delivery) which in essence functions as a way to verify that the user downloading it is who they are (basic activation) but after that, you're done. There's no DRM, digital license, net connection, etc. needed. And even if you lose your serial #, CD, etc. no problem, the automated system will resend you everything you need in email.
Stardock has touched on something I believe to be very important to the well-being of the software and media industries: consumer trust. Stardock's sales have not been negatively affected by their decision not to include DRM in their games or game distributions. They had no reason to believe that DRM will help their bottom line at all, and they acted on it.

This news update on Stardock's website was prompted by an interesting story on The Consumerist blog from March 20th. "How I Became A Music Pirate" tells the story of how Jarret, a 40-year-old man who bought his music, was driven to piracy by the DRM in the software he used to buy a Luna album from Rhino Records' online store. He runs into a problem when he realizes that the WMAs he downloaded will not play in iTunes because of the copy protection that Rhino Records uses. He eventually calls a representative and is stonewalled in an interesting, but typical, way (emphasis mine).
So I called Rhino customer support and after an 8 minute wait spoke with a representative. She informed me that the files were indeed copy protected so that I could only play them on specific music players, most notably not iTunes.

"You don't understand," I said, "These files were not copied or pirated, I actually purchased them."

"Well" she responded, "You didn't actually purchase the files, you really purchased a license to listen to the music, and the license is very specific about how they can be played or listened to."

Now I was baffled. "Records never came with any such restrictions," I said.

She replied, "Well they were supposed to, but we weren't able to enforce those licenses back then, and now we can."
The story goes on to chronicle his decision to download the songs so he can listen to them in iTunes. Just an interesting account of one person's experience with DRM that was so bad, he had to pirate the music. He tried to buy the music several times and he was never able to get what he wanted for his money. He ends with only the most fitting resignation:
Since I've resigned myself not to waste any more time with the music business, I suppose I'll have to resort to purchasing used CD's & records, or having my friends occasionally make me a copy of one of their newer CD's.

Call it piracy. Call it whatever you want. But at least I tried. I gave you several chances and you failed miserably at every level.
It's sad when a dying business is so stubborn that it refuses to work with its customers to help them give the business money.


Edit: Continuing to follow the thread at SA revealed this gem of an exchange between eight forums members:

GamingHyena: Piracy leaves the artist with 0%.
Powercrazy: You are wrong. If I download a CD of an artist I've never heard of, listen to it and decide I like. I am about 1000% more likely to go see that artist at a concert. When I pay to get into the concert I give the artist money (not 100% but much more than I would buying the CD.) If I had never downloaded the music in the first place I would have never gone to the concert.
Nodrog: When I shoplift a new bar of chocolate I am 1000% more likely to buy said chocolate in the future if I discover that I like it.
The Remote Viewer: Not analogous. If he had said shoplifting the CD made him more likely to attend a concert, then you'd have a point.
Dr. Pwn: (to The Remote Viewer) Still not analogus. If he had said that shoplifting the CD made him more likely to buy future CDs, then he'd have a point.
Al Azif: (to The Remote Viewer) It's analogous if you consider shoplifting and copyright violation morally equivalent.
withak: (to Nodrog) More like if you magically created a chocolate bar from thin air at no cost to the manufacturer of the chocolate bars.
withak: (to Al Azif) In one situation someone's property has been taken away from them and in the other it hasn't.
durasteh: (to withak) There is such a thing as intellectual property.
withak: You can't take that away from the owner though, just redistribute it without permission.
durasteh: This is known as Intellectual Property theft.
withak: And is treated differently in laws from real property theft.


(via the SA Forums)

Links:
SomethingAwful Forums Thread
Stardock Release
The Consumerist Blog post
Totalgaming.net
Rhino Records

Sunday, February 25, 2007

EMI: We'll Do DRM-Free Music but it's Going to Cost Ya

The rumors were too good to be true. EMI allegedly will abandon DRM but not without a bunch of cash up front from vendors like Apple and Microsoft. How nice.

The article points to Warner's recent pressure on EMI as possible motivation. My cynical side tells me we all shouldn't have been so enthusiastic from the get-go. Or they are given his-Steveness a taste of his own medicine - "Don't look to us for why we still have DRM, ask Steve Jobs why he won't pony up the dough".

Monday, February 19, 2007

Ozzfest becomes Freefest

Ozzy and Sharon Osbourne announced that Ozzfest will be free this year (free as in beer). The plan so far: Freefest will be supported entirely by sponsors. Bands will not be paid, but will be able to make money from merchandise sales, and will be encouraged to play paying side gigs between tour dates. Tickets will allegedly be free, but can only be obtained through sponsor sites.

In a press conference earlier this month, Sharon Osbourne gave some indication that she understands that the Internet demands new business models from the music industry:
Hey, kids can go online and download music, why not go to a show for free too? What the heck? Ozzy's got a new record coming out this year, he'll be touring the whole year. There is plenty of time to make money.
It remains to be seen whether the tour will result in a net gain for everyone invovled. Artists or their handlers may balk at not being able to make a buck on ticket sales, and it will undoubtedly put more strain on performers to play a "side tour" of smaller gigs alongside Freefest. Tickets will still be limited in supply, so if the organizers are not careful, aggressive scalpers may be able to create a secondary market at little cost and with little risk.

Still, it's reassuring to see some creative thinking from players in the mainsream music industry.

(via vh1.com)

Saturday, February 10, 2007

Warner Music Group Executive Responds to Jobs' "Blog Post"

While EMI contemplates offering music DRM-free, Warner Music Group CEO Edgar Bronfman Jr. responds to Jobs' "Thoughts on Music" with some harsh words and an endorsement of DRM.

(via washingtonpost.com)

Wednesday, January 24, 2007

Norwegian Consumer Council Declares Fairplay Illegal

The ombudsman and Norwegian Consumer Council have agreed - Apple's Fairplay DRM is illegal in Norway, citing a lack of interoperability between iTunes purchases and competitor's portable devices.
"It doesn't get any clearer than this. Fairplay is an illegal lock-in technology whose main purpose is to lock the consumers to the total package provided by Apple by blocking interoperability," Waterhouse told OUT-LAW.COM. "For all practical purposes this means that iTunes Music Store is trying to kill off one the most important building blocks in a well functioning digital society, interoperability, in order to boost its own profits."
Given Apple's ongoing issues surrounding DRM in France, there seems to be mounting pressure from European consumer groups for Apple to open up iTunes in Europe. It will be interesting to see how Apple would react to a court mandate to remove Fairplay from their products; after all, I can't imagine that iTunes Norway contributes too heavily to Apple's bottom line (i.e. not at all) - so would Steve comply or just shut down the store? The music industry can't control him - since when does Norway have any clout?
(via Out-Law)

Links:
C|Net News
Mac Daily News
MacNN

Friday, January 12, 2007

jam + crescendo = jamendo

jamendo is one of several new sites attempting to flip the script on the gasping, grasping music industry by providing free, Creative Commons-licensed music to a community of listeners who can donate and support artists that they like. jamendo's unique distribution system minimizes their bandwidth overhead by providing album downloads via BitTorrent and eMule. Much of the site content reflects its French origin, but there's an honest effort to globalize the site by encouraging translation and narrow-by-language options. As an electronica fan with few options in a narrowing media environment, I was honestly surprised by the quality of electronic music being presented on the site.

From the Jamendo FAQ for Artists:
"Why put my music online for free? That is the most important point, also the most obvious! To convince you, we let yourself answer to these questions [sic]:
What is the share that an artist has on its CD sales?
How many artists can really make a living from the sales of their albums, without making concerts?
Among general public, how many young people still buy CDs?"


Booyeah.